Previous Protagonist’s Deaths and the “Open Text”Ī New Aesthetic: Subjective Camera, and a New Type of Audience Participation “Open Texts” as a Production Strategy in Search of Profit Today’s Mass Media Crisis and the Migration/Evolution of AudiencesĬhapter 5: Subjective Camera, Direct Address, and Audience Participation: Velho Chico and a New Brazilian Telenovela AestheticsĬontextualizing Brazilian Television, and the (In)famous Telenovelas The Rights of the Audience: A Future in the Hands of the Media Entertainment MediaĬhapter 4: Mexico: A Historically Asymmetrical Media Context Entertainment Media Expands Across BordersĬhallenges Facing U.S. Entertainment Media Expands Across Industries Entertainment Media Expands Across Platforms Entertainment Media: Expansion Across Platforms, Industries and Borders
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The Canadian State, Policy and Regulation: A Political Boon to TV BusinessĬonclusion: Within and Beyond Cultural ImperialismĬhapter 3: U.S. The Story of American Cultural Imperialism in Canada: Continuity and ChangeĬanada: A Media Periphery of Empire and a Peripheral Media CentreĬanadian Cultural Industries Crossing Borders: TV Exports and TV Co-Productions Introduction: “Canadian Content: Clearly, We Want to Export” Organization of the BookĬhapter 2: Canadian TV Goes Global: Within and Beyond Cultural Imperialism World Entertainment Media: Global, Regional and Local Perspectives. Theoretical Frameworks on Global Media Entertainment Chapter 1: Introduction: Entertainment Media as a Lens to Probe the Twenty-First-Century Global LandscapeĮntertainment Media in a Complex and Dynamic Twenty-First-Century Global Landscape
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